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4 Days of Eerie Music – day1 | 4DME

Tim Hecker starts the second edition of 4 days of eerie music (4dme) in the Gdansk Shakespeare Theatre.

 

Few in the field of explorative ambient music have remained as questing and unclassifiable as Canadian composer Tim Hecker. Across his 15-year career he has moved through shades of reflective electronic noise, experiential sound design, and modern composition with a deft and distinguished touch. Even so, the past few years have seen a minor renaissance in his discography – time seems to be fortifying his palette, rather than fossilising it.

Hecker’s newest opus, Love Streams, takes as its cue from the avant-classical orchestration and extreme electronic processing of his previous full-length, 2013’s Virgins, but shaped into more melancholic, ultraviolet hues. Its power accrues as it unfolds. Inspired by notions of 15th century choral scores transposed to an artificial intelligence-era language of digital resonance and bright synths, the album was assembled gradually, with layers of studio-tracked keyboards, choir and woodwinds being woven into the mix, then molded and disfigured through complex programming. The effect is similar to hearing some ancient strain of sacred music corrupted by encryption. Hecker admits to thinking about ideas like “liturgical aesthetics after Yeezus” and the “transcendental voice in the age of auto-tune” during its creation.

The Love Streams sessions took place throughout 2014 and 2015 at Greenhouse Studios in Reykjavik, Iceland – where parts of both Virgins and Ravedeath, 1972 were tracked – with Hecker reuniting with the same crew of collaborators from Virgins (Kara-Lis Coverdale, Grímur Helgason) and bolstered by the Icelandic Choir Ensemble, whose vocal arrangements were scored by Icelandic composer Johann Johannsson.

The title of Hecker’s new work can be interpreted any number of ways – erotic, technological, spiritual –  although his own conception is appropriately vast, calling it “a riff on the ubiquity and nihilism of streaming of all forms of life.” Now we stream more than we love. Music resembles a product more like  white noise. Across a career spanning fifteen years, Tim Hecker belongs to a select camp actively  resisting this undertow, this reduction in significance. His albums are personal statements and gestures of devotion.

 

See the LINE-UPs of other concerts within 4 days of eerie music:

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4DME – 4 days of eerie music is an annual festival event organised by the Gdańsk Shakespeare Theatre, 2017 is the second edition. Concerts take place on May 28th and from 1st to 3rd June 2017.

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